It’s scary watching a good neighborhood go bad.
Set in the suburbs of Buenos Aires, Terrified zooms in on one unlucky block of real estate, where strange things are happening.
How strange, you ask?
Just ask the kid next door. He was recently run over by a bus and buried, but has returned after clawing his way out of the grave. The boy’s mother (Julieta Vallina) is beside herself, as you might expect.
Her detective boyfriend Funes (Maximiliano Ghione) calls in retired cop Jano (Norberto Gonzalo), a forensic expert with a knack for bizarre cases.
Before the investigation can begin, renowned paranormal researcher Dr. Mora Albreck (Elvira Onetto) materializes with questions of her own. Despite the assembled brain power, the best theory that Albreck can proffer is that they are sitting on a nest of beings from another dimension.
Further observations from the good doctor reveal that the creatures occupy the same space we do and can inhabit our bodies. Also, they drink blood and seem to enjoy tormenting their subjects to death.
Using comically archaic spiritual weights and measuring devices, Albreck assembles concrete evidence that establishes the existence of vampiric entities that can crawl out from under the bed or emerge from the closet at will.
“What should we do now?” a colleague asks her.
“I have no idea,” she answers truthfully.
Terrified is a potent and terrifyingly graphic film about the dissemination of fear in an urban setting, with roots in paranormal activity. In this regard, it’s quite unlike the Paranormal Activity series of films created by Oren Peli.
Instead of endless sequences spent observing snoring citizens, we get pants-wetting shock value from a parade of singular spooks that will leave trauma marks on the cerebral cortex.
Argentine writer-director Demían Rugna wields a deep arsenal of disorienting camera moves that offer no comfort or safe space to hide. We bounce from mouse-eye views looking up, to sinister surveillance peering in the windows, to awful things taking shape on the periphery of the senses.
Utilizing every centimeter of the frame, Rugna proves, just as H.P. Lovecraft did before him, that there’s plenty of room for malign beings to coexist with us—and drive us insane.
This is not a comforting thought. Terrified delivers the scary when it counts.
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