Patton Oswalt was tweeting about this one recently, his observations growing increasingly agitated—and no wonder. Bone Tomahawk is a horse opera throwback that any John Ford fan will recognize without too much difficulty.
It’s your basic, “OK men, let’s get us a posse and go save our womenfolk” tale, that gradually winds its way into an atavistic nightmare and a grueling denouement. And having goddamn Kurt Russell as the dutiful and superbly mustachioed sheriff doesn’t hurt one bit.
Russell portrays Sheriff Franklin Hunt, a turn-of-the-century lawman who watches over the frontier town of Bright Hope, situated somewhere in the Southwestern badlands.
One fine evening, he and Chicory (the amazing Richard Jenkins), his backup deputy and comic sidekick, spot a fugitive in their midst (David Arquette), a craven bandit on the run from a tribe of bloodthirsty cave-dwelling savages, who have trailed him to his present location.
Oh, and they’re cannibals.
The next morning, Hunt discovers that the bandit, Mrs. O’Dwyer (Lili Simmons), and Deputy Nick (Evan Jonigkeit) have been abducted by the fearsome flesh eaters.
A posse consisting of Hunt, Chicory, John Brooder (Scott Fox), a sartorially splendid gunfighter, and Arthur O’Dwyer (Patrick Wilson), a rancher with a broken leg, and husband of the kidnapped damsel, sets off in pursuit.
For most of Bone Tomahawk‘s two-plus hours running time, we plod along with the cowboy quartet on a near-hopeless quest.
Don’t let the languid pace cause a premature bailout, because this is where writer and director S. Craig Zahler demonstrates a sure hand. Alternating between meandering scenes of Larry McMurtry-esque cowboy banter and violent episodes of gunplay, Zahler keeps a tight rein on his players, moving them stoically forward to a hellish confrontation with a horrible enemy.
And to their credit, the principle cast members (especially Russell and Jenkins) acquit themselves smashingly.
Hunt and his men prove to be fallible, but honorable avengers, capable of extraordinary acts of courage, even under extreme circumstances. These include helplessly watching a captured comrade writhe in agony as a clan of troglodytes readies him for supper. Suffice to say there’s more to this meal preparation than washing your hands.
Bone Tomahawk has its cringe-worthy moments, but the savagery is a vital story component, serving as a chillingly effective worst-case scenario, and not merely a cheap excuse for guts and gore.
On the other hand, if you’re hungry for guts and gore, you surely won’t be disappointed by the time they arrive. Strong work!
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