I suppose The Battery qualifies as a zombie movie—but just barely.
Until the finale, you can count the number of undead appearances on one hand. First and foremost, it’s a post-apocalyptic road movie that owes more to Samuel Beckett than it does George Romero.
Gorehounds with ADD are going to hate this film because it’s slower than a senior citizen square dance and probably a lot less bloody. It’s also an extremely frugal production. Seriously, the budget was probably less than what I have in my checking account.
I am currently unemployed—thanks for asking!
Even with so many things stacked against it, I have to give an admiring thumbs-up to The Battery and to writer, director, and star Jeremy Gardner, who bravely ran with the idea of having very little money at his disposal, and used that freedom to create something unique: a bleak, absurdist buddy movie about two minor-league baseball players dodging the dead on the backroads of Connecticut.
After months on the road, our two main characters have become a study in contrasts. Ben (Gardner), the team’s catcher, is a bearded outdoorsman, a brawny survivor-type who does most of the heavy lifting (hunting, fishing, zombie-killing) in the relationship.
Mickey (Adam Cronheim), a relief pitcher, is a sullen romantic who spends most of his time lost in thought with a pair of headphones fixed over his ears. Despite the presence of the jovial and optimistic Ben, Mickey is depressed and desperately misses his old life.
One fine day, the pair pick up a stray communication on their walkie-talkies, leading them to believe there is a fortified community in the area. Ben, who is content with camping and living outside, wants to steer clear. Mickey wants a home. A bed. A roof over his head. And maybe a girl.
This is the doomed conflict at the heart of The Battery—the terrible necessity of freedom, as personified by Ben, who refuses to be trapped in any situation, and Mickey’s need for comfort and security.
In the end, freedom trumps comfort, as one might expect given the dire circumstances. But Gardner’s languid, lengthy scenes of Ben and Mickey brushing their teeth, playing catch, listening to music and generally farting around, imply that it takes two souls to make a life worth fighting for.
Positive and negative, yin and yang, pitcher and catcher.
Fun Fact: “The Battery” refers to the pitcher and catcher in ye olde baseball vernacular.
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