Crawl (2019)

Treated myself to a new movie from Amazon, and settled on Crawl, the turbid tale of Haley, a dutiful daughter (Kaya Scodelario), who drives into the heart of a Florida hurricane to rescue her injured dad (Barry Pepper).

Complication One: Dad’s trapped in the cellar of their family home and it’s rapidly filling up with water.

Complication Two: The rising floodwaters are teeming with bloodthirsty alligators.

This is not an intricate narrative, and director Alexandre Aja (High Tension, Piranha 3D, The Hills Have Eyes) wisely keeps the focus on what’s going to pop out of the water next. There is some obligatory backstory about the bond between father and daughter, forged while the the latter trained to be a competitive swimming champion, but it’s just enough to make the audience understand that Haley has a fighting chance against the gators.

As the waters rise, Aja tightens the screws to the point where one can’t help shouting out words of encouragement to Haley and her pop, such as, “Get out of there, dummy!” or “Stop thinking about old swim meets and haul ass!”

There’s not much dialogue in Crawl. Seriously, the script is probably like 10 pages long, and both Scodelario and Pepper play their parts to the hilt while submerged in bloody water. Ultimately, the movie succeeds because Aja never allows us the leisure time to get bored with their plight.

It’s one crisis after another, and they’re usually hungry.

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Author: oldsharky

Sensible writer/editor with sparkling credentials who would happily work for you at a reasonable rate. I moonlight as a bass player, beer enthusiast, Trail Blazers fan, dog fancier, and horror movie fanatic. Sometimes I think about daily events too much and require a little help to clarify and process the deluge of information.

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