Is The Resort worth watching? Only as a last resort.
The glacial pacing is a major challenge. Nothing remotely frightening happens for like 45 minutes, and we’re left to tag along with one of the dullest character quartets ever assembled.
Seriously, these guys should have to study improv comedy or something. Entire scenes go by and we’re hard-pressed to remember anything that was done or said until the mayhem commences.
Lex (Bianca Haase) is hoping to write a book about a Hawaiian resort that closed after two years, “under mysterious circumstances.”
Her beard-o boyfriend Chris (Brock O’Hurn, who appears to have emerged from the same genetic material as the Hemsworth Brothers), springs for a ticket to Maui so they can explore the ruins of a vast luxury hotel complex in search of literary subject matter.
Along for the ride are two expendable friends, Sam (Michael Vlamis), an alcoholic asshole (gotta be one in every group), and Bree (Michelle Randolph), a flirty blonde (ditto).
After several days of travel and gum-flapping exposition, the group finally makes a helicopter landing at the titular destination, which turns out to be haunted by a ferocious specter known as “The Half-Faced Girl.”
The vengeful ghost exacts a 75% death rate in an efficient wave of mutilation, and Lex awakens in a hospital to a nosy detective who wants the whole story.
The (ten-minute?) sequence of the The Half-Faced Girl terrorizing these nimrods at the eerie, deserted resort is almost worth the downtime spent getting there. Heads are crushed, faces are peeled, and the dead rise with Raimi-esque abandon.
Writer-director Taylor Chien makes the rookie mistake of wasting too much of our valuable time on disposable characters. The Resort is not a flick we tune into for a Student Lounge discussion on what happens after we kick the bucket.
Fast-forward through the talking and traveling scenes, and start at their arrival on the island. It’ll save time and be way less annoying.
One thought on “The Resort (2021)”
This one kind of sounds like a group of people used “making a film” as an excuse for a Hawaiian vacation.
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