OK, this bad boy rocks.
If you haven’t seen anything worth inviting into your Netflix queue lately, Frankenstein’s Army is a brilliant remedy.
What we have here is a disturbing Weird War tale with steampunk accoutrements fitted into a “found-footage” frame, with a visual aesthetic that’s bold and nightmarishly distinctive.
In the waning days of World War II, Russian troops are streaming into Germany, wreaking havoc along the way. One such unit is accompanied by Captain Dimitri (Alexander Mercury), a cameraman making a documentary about these “heroic” soldiers.
While holed up in a bombed-out village, the group discovers a church converted into a mad scientist’s lab and are soon set upon by the most outré pack of Nazi zombie-robot-monsters I’ve ever seen.
Frankenstein’s Army is a Czech/US/Netherlands co-production filmed in the Czech Republic, which perhaps goes a long way toward explaining its unique appeal.
A hearty shake of my flippers goes to director and story man Richard Raaphorst, who hits a horror home run his first time at bat.
Admittedly, the lengths needed to preserve the found-footage premise become increasingly (and purposely, I think) absurd as a 70-year-old Soviet movie camera is able to capture pristine audio while getting tossed around like a Samsung at a frat party.
But Raaphorst is a filmmaker with vision: his nimble mind invents extraordinary beings, and like Dr. Frankenstein (Karl Roden), he has the ability to bring them to life.
He’s clearly not just another fawning acolyte of Sam Raimi or Tim Burton—if anything, his work reminds me of England’s once-reigning madman, Ken Russell.
Take it from me, Frankenstein’s Army is some very fresh hell, indeed. Highly recommended.