A little R&R in the heart of cannibal country? What a great idea! Donner Pass may have a teeny weeny budget, but I have grudging admiration for director and co-writer Elise Robertson’s commitment to blood-and-guts filmmaking and her insistence on adding a few surprise ingredients to the (human) stew.
A quartet of students in search of a winter’s idyll take up residence in a remote snowbound cabin. Sure, it sounds innocent enough, until a truckload of their drunken buddies crash the party and a partially devoured body count ensues. Apparently the rumors of cannibal pioneer George Donner haunting the hills in search of a little warm flesh have some basis in fact. You just can’t keep a good man down!
Although she’s playing with well-worn tropes (e.g., should they leave the cabin and try to get help during a blizzard or sit tight and await the dinner bell? Decisions, decisions …), Robertson gamely tries to instill some believable humanity in her doomed characters—a bold gambit considering we’re not tuning in to see if Kayley (Desiree Hall) and Mike (Colley Bailey) can work out their relationship difficulties or if reluctant host Thomas (Erik Stocklin) is going to get in trouble with his parents for having a rowdy soiree in their absence.
Although the trail of misdirection that leads to the hungry mastermind isn’t exactly revelatory, it’s got a pinch of panache and a dollop of entertainment value. There’s also a straight out of left-field date-rape revenge subplot that has no reason to exist beyond padding the movie’s scanty 80-minute run time.
All things being equal, I’m going to give Donner Pass a cautious recommendation. Robertson and her amateur cohorts display enough dexterity and creative moxie with these frozen leftovers to warrant a watch—but only if you’ve finished your chores and walked the dog.