Purely for marketing purposes, they should have called this movie something other than The Road. The Cormac-McCarthy-post-apocalypse-tale-turned-Viggo-Mortensen vehicle was barely two years old, and it’s hard to create word-of-mouth excitement if you have to continually explain that the movie you’re recommending is not that one. But recommend it I will.
This curious import from the Philippines is both a fearsome ghost story and a very soulful meditation on evil, and more specifically “the sins of the father” concept.
Three restless teens borrow a car and go out for a midnight joy ride. None has a driver’s license, so they turn off the freeway and head down an old unmarked road—and the trap is sprung!
A nightmarish sequence ensues as the kids are stalked by vengeful ghosts and an unseen killer. Eventually the cops arrive on the scene under the command of recently decorated Detective Luis (TJ Trinidad) who sees uncanny parallels in this case to those of an old unsolved homicide.
There are plenty of supernatural fright elements at play in The Road, but writer-director Yam Laranas puts the most muscle into telling a ghost story born of an all-too-familiar domestic tragedy. The movie is a triptych of tales (the present, the past, the distant past) that remain firmly rooted in a poison tree that bears deadly fruit. (Note: trees don’t figure into the story; this is what we call a metaphor.)
The pace can be a bit sluggish, but in my opinion, the added weight given to characters and landscape makes The Road a much more vivid trip.