
Remember, everything in the desert is trying to kill you.
Yuppie art photographer Alex Clark (Kai Lennox) is returning to the Mojave, in search of fresh inspiration. His artistic milieu includes sun-baked landscapes bereft of humanity, abandoned structures left to the forces of ruination.
Alex is seeking freedom, he explains to his wife Sam (Sara Lind) over the phone. She duly reminds him of his financial obligations awaiting him back in Los Angeles.
Trying to salvage the remains of his enthusiasm, Alex makes friends with Renny (Zachary Ray Sherman), and his blistering hot sister Susie (Ashley Smith), the next door neighbors at his seedy hotel in Yucca Valley.
And quicker than you can say Trap Door Spider, Alex obliviously falls under the influence of the Renny, a diabolical desert rat with Manson eyes, freshly emerged from the depths of heck itself.
Renny, as we discover in about two seconds, is a 100 percent, 24-7 predator that sees the agreeable Alex as an easy mark—and he is. Back home, Sam hires troubled private investigator Harold Palladino (David Yow) to track down her absent hubby.
Writer-director Joshua Erkman has worked with Ty Segall (who composed the brassy soundtrack) as a video director and he brings a keenly developed eye to the minimalist, sunstroke noir of A Desert.
There is one shot in particular, of Renny sleeping shirtless in a culvert of old electronics gear, that absolutely screams “vampire in his coffin.” Yes, the sun is out, but this guy is as bloodthirsty as the next Count.
We are witness to all the expressive catharsis that Alex is seeking, even as he’s being stalked by one of the creepiest villains in recent memory. Zachary Ray Sherman’s portrayal of Renny is unnerving; a charming opportunist killer with a better game face than Norman Bates.
A Desert is visually dazzling and highly recommended, but upbeat it ain’t. Shit gets mighty grim out there. This moral wasteland is where weaklings go and are never heard from again, becoming a tiny part of the vicious and unforgiving topography.
Don’t ask directions, just flee.