Bodies, Bodies, Bodies (2022)

You think you know who your friends are? Would you bet your life on it?

Certainly the most frightening aspect of director Halina Reijn’s Bodies, Bodies, Bodies is that every relationship in a movie about lifelong friends under pressure is so damn fragile.

Or in some cases, nonexistent.

Sophie (Amandla Stenberg) is bringing her new girlfriend Bee (Maria Bakalova) to a magnificent mansion owned by the family of her best friend, Dave (Pete Davidson).

So there’s a hurricane brewing and a bunch of Richie Rich kids have the run of a big house. What could go wrong?

Everything!

While playing a game of Bodies, Bodies, Bodies, in which someone “kills” people in the dark, and the remaining players have to figure out whodunnit, Dave the host turns up with his throat cut.

There are seven remaining party guests—including one who isn’t present for most of the movie—and all it takes is one grisly corpse and abundant cocaine for a bunch of 20-somethings to turn on each other like rabid rats.

Outside a storm is raging. Inside, there are accusations, confessions, and pleas for mercy, followed by the thunk of more bodies hitting the floor.

The zeal with which these “friends” tear into each other could be blamed on the nose candy, but inevitably comes back around to the most obvious conclusion. Nobody knows anybody. Not that well.

If you’re just too ADD for Agatha Christie, Bodies, Bodies, Bodies should keep you guessing to the end, or at least till something shinier comes along.

Influencer (2022)

Oh, what a web she weaves.

With Influencer, writer-director Kurtis David Harder (Spiral) successfully binds dazzling visual elements with an intricately plotted story that just keeps twisting.

Madison (Emily Tennant), a beautiful travel blogger and media influencer, is unhappily flying solo on a backpacking trip through Thailand, when she meets CW (Cassandra Naud), a free-spirited adventurer who offers to show her around.

The mysterious CW is the polar opposite of pale blonde Madison, most notably due to a prominent birthmark on her face, though she too is unmistakably attractive.

The new-found friends explore the intoxicatingly exotic landscape until CW shockingly abandons Madison on an island with no food or water, and assumes her identity.

We learn that CW’s diabolical modus operandi has been used before, and spend the majority of Influencer riding shotgun with an extremely complicated woman with an apparent ax to grind against alluring travel bloggers.

The tone throughout reminded me of Patricia Highsmith, the author of Strangers on a Train and The Talented Mr. Ripley, novels about unlikely and conflicted villains marching to their own drummers.

Cassandra Naud, an actress with an actual facial birthmark, absolutely owns Influencer as an often inscrutable psychopath with ninja Photoshop skills. We might even discover a wee sliver of empathy for CW, a testament to the multiple layers of nuance that Naud brings to every scene.

Quick-thinking and resourcefulness are usually attributes we admire in a leading character. Is it unthinkable that it’s a Bad Guy (Gal)?

Recommended with no reservations.